Friday, October 11, 2019

Deer & Fawn


I realize that this is the second time I've used that title for a blog post - the first was last year at Halloween, when Kate and Bunny traipsed around the neighborhood collecting candy and dressed as a two-generational deer family. 

Today's post is not about costumes. It is instead a quick report on some recent Menagerie happenings. First up is this little fawn.

Indulge me in some backstory. Emily, who is a brand-new fresh(wo)man, now swims for her high school. All three girls have swum competitively - sometimes together but more recently not - and the more I watch them swim in their various groups, the more I understand how tough a sport swimming is, with its crazy-early training hours, stupid-cold pools (this is Minnesota, after all) and everyone exclaiming how they're perpetually ravenous. Emily's high school team is no different, but let me also say that I appreciate their dedication and admire their determination to have fun even as they're balancing homework and late nights and truly grueling workouts. It's a fantastic team, not only skills-wise, but also in just how they're a bunch of really nice kids who're kind and encouraging to each other.

One of these fun team activities is a secret sister game (like the equivalent of secret Santa at Christmastime) that runs the entire swim season and culminates in a big reveal after their final meet. Emily discovered that her beneficiary-sister likes deer, and so asked me to make her a Menagerie deer and fawn. 

Do fawns have antlers? 

I thought not, but figured that there had to be a transitional life stage during which they were simultaneously young enough to keep their spots and old enough to be sporting little antler nubs. 

Here is Dad Deer. Or Stag. Cutie, I thought -

although as all prototypes do, it still had some kinks to iron out. 

Like them ears.

As always while doing Menagerie research, I discover something new about the animal I'm sewing. In this case, I was astonished to discover how large deer ears actually are in proportion to their heads. Or maybe it's just that they look monstrous here next to their somewhat-modest-er antlers. No matter - it'll be trivial resizing the ears in subsequent versions.

Here they are, doing their Dad-and-son bonding thing.

The little fawn was bestowed upon Emily's secret sister a couple of weeks ago. Stag/Dad Deer follows next week!


P.S. If you are unfamiliar with Menagerie, you can read about it here, visit my Pinterest brag board here and buy the pattern here. Please note that the deer is a much-later adaptation of the Menagerie pattern and not included as one of the 19 original templates.



Wednesday, September 25, 2019

Kids' Craft Fair Take Five


For the fifth time (in seven years), the girls participated in the Kids' Craft Fair and I will say this: what a difference those seven years make. 

If you've been reading this blog awhile, you might be familiar with this saga that is the Kid's Craft Fair; feel free to skip the next few paras. But if you're new-ish here - and feel inclined to catch up on some backstory - you can read about our previous fairs here, here, here and here.  For everyone else, here's a quick summary: every August, our county libraries host a craft fair and kids 16 years old and younger can register a table to sell stuff. Their inventory must be handmade by them (not their parents), must be priced at $2 or less and cannot be food or services (like hair-braiding, face-painting, etc.). 

When my girls were younger, participating vs. not participating in this craft fair was a tough call. Sure, it was a good learning experience. But more for the parent hand-holding the children than the children themselves as independent entrepreneurs. There was also the risk of taking it too seriously and wasting away precious summer days mass-crafting for a two-hour event at which one might discover the hard way that project X about which one had been so passionate, was actually completely unmarketable. 

Summary: Risk management. Opportunity cost. Market testing. And all the practical repercussions thereof.

Those were the learning points we gleaned from our early craft fair experiences. We took it in stride as best we could. "The fun is in the making," we told ourselves. Never mind that we had boxes of leftover barrette supplies, or handmade notebooks, or the other Sad Surpluses with neither home nor use. "Next year," we resolved, "we will sell something more fun."

And so the girls diversified. While also growing older - and consequently more observant.  They noticed that their main clientele were kids, and that kids liked toys more than they liked decorative accessories. They also noticed that their secondary clientele were parents and grandparents of those kids, who sometimes bought items for other kids. And they noticed that half the kids who bought stuff at the fair were boys. Which made them realize that if they made an overly gender-specific item to sell, they'd be alienating a big part of their potential market. 

After some trial-and-error, we eventually found something to make and sell that fit those criteria: ribbon twirling sticks, or ribbon wands.

So for the past three fairs, we've made and sold them, with much commercial success. They're not a fast make, but easy enough to mass-produce over a leisurely summer. We started with a bunch of pre-cut dowels (we got ours here)

which we prettied up with acrylic paint and stood up to dry. We made our drying stand from random sections of two-by-four into which we drilled holes.

A multitude of colors on the sticks,

to match their ribbons. We get our ribbons in Singapore, where they can be bought by the 20'-30' roll in crazy shades (and rainbow) but we've also found them on Etsy here in the US.

So twirling ribbons became our mainstay - enjoyable to mass-produce, highly successful in generating revenue and fun to demo on the day itself.

For variety, however, the girls have typically introduced a second (sometimes third) item at each craft fair thereafter. One year it was clay charms. After that, it was Harry Potter wands made from hot glue and chopsticks. This year, the girls made scrunchies. 

It's funny: a decade ago, this would've been absolutely taboo. Not so in 2019. Scrunchies are back and all over crafty blogland. As they should be, because they are just about the easiest things to make, and terrific scrapbusters, at that.

There are so many ways to make scrunchies. I've used this method for years because I like having zero visible stitches on the RS of the finished scrunchie. Then Emily found a video tutorial to make them using hair ties instead of elastic. It's a little fiddlier in the early steps because you're sewing around the circular band to enclose it in fabric, but it saves you the effort of measuring lengths of strip elastic and sewing their ends together to make the stretchy loop. Either way, the construction involves sewing only straight seams on rectangles of fabric. Easy enough that even Kate (who's now eleven) was able to run them off the sewing machine all by herself.

So twirling ribbon sticks and scrunchies for Craft Fair 2019.

The best part, the girls tell me, was not the ease of making these two projects; there were two other things which really got them giddy-headed. One was looting through my stash and picking fabrics, imagining what might appeal to kids and/or their parents. 

"Solids," I suggested sagely in the early stages of planning. "People like solids with an expensive feel. Velvet, a nice thick knit, something classy and neutral that's easy to match most outfits."

BOOOORING.

The fun prints were the first to go. The polka dots, the pretty florals. Practically snapped up, as it happened. Nobody cared about the actual fabric, whether it was quilting cotton or velour or whatever.  Bright, happy hues and pop designs ruled the day, while the sophisticated earth tones and classic blacks and navys - were the last left on our display line.

What did I know, apparently.

Now, that's not to say that we were stuck with a couple of pathetic colorless scrunchies long after closing time. All sold out long before the twirling ribbons did, and certainly a good while before Trading Time. And not just because we didn't use hideous prints to start with (ahem - they were from Mother's Stash, and Mother likes to believe she does not own eyesores). We think the weather helped: it was a hot day and maybe people looked favorably on anything that would keep hair off their necks. But mainly we suspect scrunchies are those practical items that magically appeal to various ages; so long as one has the minimum quota of hair, one could potentially find use for a scrunchie. 

So to the girls' delight, people stopped by all morning and picked their favorites off the line: children, parents, even the librarian organizers themselves. Now, is that validation of the end of Scrunchie Stigma Season or what?

The second thing about which the girls were beyond excited was setting up their sales display. At our first fairs, we simply threw together a table and random price signs. Over the years, the girls have made some interesting changes to our table layout to make things more visible and accessible to customers. Tablecloths, fabric-covered boxes to create displays of different heights, for instance. I've mostly sat back to let them run with their ideas, partly because it can get exhausting to brainstorm with wee ones, but mostly because this is their craft fair and the older they get, the more of it they are able to own. And the more of it they own, the more their successes feel like true learning points.

For the scrunchies this year, the girls made simple paper tags and strung up some cord, clothesline-style,

between our easel and the basket that held our surplus stock of twirling ribbon sticks.

We drew and colored the price signs (the scrunchie drawings were clip art we printed off the internet),

and our annual poster.

Even Trading Time turned out to be a much smoother experience this year. For the unfamiliar, here's how that works. The last 15 minutes of the craft fair were designated Trading Time, during which vendors could swop their unsold inventory with those of other vendors so long as both sides were agreeable. These exchanges weren't always fair ones, value-wise, but in the eyes of children, My Handmade Stuff is as good as Your Handmade Stuff and we've learned to roll with it. 

Some of the lessons we've learned just from Trading Time alone are surprisingly nuanced. The intrinsic value of handmade, for instance, is often calibrated on the more visible scales of time spent, material cost and workmanship, but also on other, more inherent qualities which are much harder to name. Another lesson was about kindness to strangers, and extending grace to a child brave enough to offer their masterpiece, no matter how debatable its virtues, in exchange for another. A third lesson was in setting boundaries and managing expectations so that we could say yes to some trades and no to others and be at peace with our consciences.

And I'm both thrilled and a little sad that for each subsequent fair, I do less and less while the girls themselves do more and more. I do not mean this in arrogance; it is simply one of many other visible signs of the passing of time, of children growing into their courage and abilities, of the bittersweet pride (if I may) in letting go. This year was the first time the fair felt like their venture, not theirs-and-mom's. They budgeted for, planned and made their inventory, having consulted records from previous years' sales. They publicized the Fair among their friends and neighbors, some of whom biked over on the day itself to help man the table and provide company. They even enforced a uniform of sorts (and bossily made me wear one, too). 

I helped draw the poster and drive the car to get us to the fairground, but mostly I sat in the shade and watched the morning unfold. And took pictures, of course. It felt like a long time since I'd been behind the lens.

After the fair, we headed to a restaurant for lunch and our traditional post-mortem of the day. Did we sell out? Yes, but that wasn't the point. Did we sink a vast majority of our summer to make this happen? Nope - the girls painted and sewed intermittently over two to three weeks, max. Did we learn new skills and other things during? Well, for one, Kate and Jenna independently worked the sewing machine for hours on end without me even being in the room, so on that account alone, yes. Did we get to do something creative and enjoyable together before our summer fractured into high school sports seasons and back-to-school orientations and band lessons? Yes. 



And next summer, time permitting, we will do it all over again. 

Or they will. Since, y'know, it's their show now :)


Friday, September 6, 2019

Cat at Photoshoot


She hasn't really figured it out, sadly.

Friday, June 21, 2019

Koala


Been experimenting with the Menagerie base template again.

This one was a special request from my Aunt Laura, who's been sewing Menagerie critters non-stop since she got her hands on the pattern. 

Folks have been emailing me to ask about Menagerie 2 because I was so effervescent about it in that earlier post and then dropped off the face of the earth, as it were. I apologize for that - I was working on a collaboration project with a magazine that fell through at the last minute, which was frustrating, because I'd put aside the new Menagerie critters (and a couple other sewing patterns) to do it. Life has been crazy recently. I'll tell you about it someday when I've found the words. For now, I'm thinking I need my superpower Tshirt, a good therapist and an obscene quantity of dark chocolate.

Hope the summer's been going well for everyone! 

Saturday, May 25, 2019

Pop Pouch - Variations and Shop Updates


Hello everyone -

Thank you all for your support of my Pop Pouch sewing pattern. I am happy thinking of all the Pouches you'll be making (and scrap-busting in the process).


As promised, I've stocked my Etsy shop with some ready-to-ship Pop Pouches so those of you who are disinclined to make them yourself can still have one (or eight) to use.  While all have canvas/duckcloth outers, there are slight variations in the lining fabric among. Also, one or two are a little taller than the rest (8" as opposed to 7.5"). So please carefully read the item description of each Pouch listing to be sure of its dimensions and to know what materials your Pouch is made of.  

Speaking of variations, I thought I'd share two which I experimented with while developing the Pop Pouch pattern. The pattern itself does not include instructions for either of these variations; they're simple enough that the photos in this post will explain what to do should you want to customize your Pouches for particular needs.

This first one is a height variation. In the photo below, the cobalt blue Pouch on the right was made according to the dimensions in the pattern. The grey-floral-and-navy Pouch on the left is a little taller. Note that the top zippered sections (in print fabric) are of the same dimensions for both pouches,

and it is only the lower sections (the part made of solid fabric) that are different. You can see this in the photo below when the Pouches are fully retracted: the top section slides almost all the way down to the base of the regular pouch but not for the taller pouch.

To create this taller variation, simply add up to 1" to the height of the Cup Side templates. That's all. For reference, the taller Pouch in the photos above had 3/4" added to its height. To avoid ending up with a disproportionately tall retracted Pouch (out of which it will be harder to access the contents), I wouldn't advise adding more than 1". Because its width is unchanged, the circumference of the Cup also remains the same, and the zippered Top section will continue to fit and work perfectly with it. 

You can leave the Pocket template as is (the resulting pocket will simply sit lower in the finished Pouch) or add height to it, too. Experiment with the dimensions to see what works for you. 

The second variation is aesthetic rather than structural. In the photos below is a Pop Pouch I made for a gift for one of Kate's friends. Kate asked me to personalize it with her friend's name and favorite animal. Rather than paint on the solid lower section, I made the Top section solid as well so that I could paint on that instead. 

This way, the handpainted details are visible even when the Top is pulled down over the Cup.

Since the entire Pouch was now solid, I opted for accent print fabric over plain twill tape in the handle for visual interest.

So there you are: two simple variations to start you off. May you find even more interesting ways to diversify your Pop Pouches. Happy making :)

And please stop by my Etsy shop to browse the ready-to-ship Pop Pouches!






Monday, May 13, 2019

Pop Pouch Sewing Pattern For Sale




I am pleased to announce that you can now purchase the Pop Pouch sewing pattern:

This is a pdf sewing pattern to make a standing pouch

that retracts

to a handy cup

for markers

and (if you're anything like my kids) more markers

of all kinds, 

or pencils,

or anything, really.

Over the the past few weeks, you've seen teaser photos of these Pop Pouches made by me and my testing team, and we've talked about kinds of fabric and other materials to use to make these. I love that they require very little yardage,  

making them perfect stash- and scrap- busters,

and which you can make multiples of in your favorite mix-and-match-es.

My kids never seem to have enough pouches and cases for their stationery and art supplies. There's always some specific need they have for each of their collections. Sometimes it's an enormous boxy utility case to contain their hundreds of skinny markers. Other times it's a fold-over-flappy tube of specially curated brush and fine-tip pens for lettering. Or it's a stationery holder that can be easily used on an airplane tray table, or in the pews at church, without their having to dump out everything to locate a favorite pencil. 

The old Better Marker Pouch was an early answer to this last need. But it was a fiddly sew, with a non-intuitive sequence, and an excess of padding, and a weird external-binding thingy that held everything together. 

This Pop Pouch, I thought, was a more elegant evolution. It's still vertically acrobatic like the Better Marker Pouch, and entire contents are still visible at a glance-

and easily accessed without having to dig deep down.

It takes a little longer to make than the old marker pouch but it's a more conventional and (I personally think) easier construction. For instance, that top zippered section

is exactly like this fully-open zippered pouch from my old Zip A Bag series. I love new things that utilize old principles, don't you?


Anyway, let'd dive into the nuts-and-bolts overview:

Q: How big is the Pop Pouch?
A:

Here it is with a cupful of Crayola markers.


Q:  Is this made on the sewing machine or by hand?
A: The Pop Pouch is intended to be made with a sewing machine.


Q: What sort of skill level is this pattern suitable for?
A: I know that while some of you are intrigued by its up-and-down-slideyness, you might rightly be wondering if this is a project you could tackle at your current skill level. So let's talk about that now.

I'm going to start by saying that the Pop Pouch is not an entry-level project. My pattern testers recommend this project for someone with intermediate sewing skills. So if your comfort zone is flat (2D) projects like pillowcases and flat totes, this might be a challenge even with the step-by-step photos. If you've made a bucket-style bag (which involves attaching a cylinder to a flat base), you're probably good to go if you stick pretty close to the instructions. There's a zipper involved, and I take you through the entire process in the pattern, so if you've installed a zipper in the past, you're already one step ahead. The main reason for bumping this pattern up to an intermediate level is the smaller size of the base than other bucket-style constructions you might be used to. Sewing in confined spaces takes patience and maneuvering, but be assured that it can be done if you slow down and are careful.    

Here is a list of skills you will need. 


Q: Are there photos or is it just text instructions?
A: In the pattern are 40 instructional pages containing about 100 full-color photos and detailed text instructions. Here is a sample page:

Q: Will I need to enlarge the templates?
A: There are 3 pages of full-size templates to use as is - no enlargement needed. 


Q: What fabrics should I use?
A: There are many fabrics you can use that will produce a successful (and gorgeous!) product.


Here is the master materials list.

Below are more pages detailing recommended fabrics as well as alternatives if these cannot be found. When working with a new project, even with using the recommended materials, it's only after making a few versions that I discover a favorite combination of fabric types. In the case of the Pop Pouch, it was duck cloth and upholstery or canvas for the outer layers. I loved the small pieces of the Pop Pouch - I could experiment without feeling like I was sacrificing too much "prime" fabric! 

Q: Where can I buy these recommended fabrics?
A: This earlier post contains links to brick-and-mortar shops as well as online sources for some of these fabrics. In that post are also photos of specific examples of these recommended fabrics and stabilizers (interfacings) so you'll know what to look (or ask) for when you're shopping.


Q: What is the cost of the Pop Pouch Pattern?
A: USD$10.

If you would like to own a Pop Pouch but don't (or don't want to) sew, there will (eventually) be some ready-to-ship Pop Pouches in my Etsy shop

I am grateful for my pattern testers - Cecile, Grandma G, Katie Coleman, Maggie and Ruthie from Derbyshire, UK. They represent a wide spectrum of sewing experiences, backgrounds and personalities and their feedback was instrumental in the evolution of that first alpha draft into the version you guys will be using to make your own Pop Pouches. Thanks, you, ladies!

To my readers who hail from EU countries: the best way to buy a pdf pattern is probably via my etsy store. I've heard that the paypal-E-junkie interface may be funky for EU transactions, possibly because of the VATMOSS thing. At the end of this post are instructions on how to buy my patterns via Etsy.

And finally, thank you, all my lovely readers, for your enthusiasm and patience. I am happy to launch this pattern in time for pre-summer sewing, when road trips and other travel opportunities beckon. I'm planning to make some Pouches for the kids' teachers when they say goodbye at the end of the school year, too. 


Q: So how do we buy the Pop Pouch Pattern?

A: Buyers from countries in the EU: please email me directly (my email address is in the sidebar of my blog) and I will set up a reserved listing for you in my Etsy store. There are multiple ways to pay, and I will email you the pattern file as an attachment once the payment has been processed. It's fast and easy.

All other buyers: go here to buy the Pop Pouch Pattern. 

Happy sewing!