We're close to wrapping up our series on drafting! We took a nice break to do a lot of actual sewing and now we're back! Today Jen will guide you into the world of commercial patterns, and teach you how to customize them to better fit you or the child for whom you're sewing. Neither Jen nor I use commercial patterns much, if at all, but we know how they work (or don't): the mystifying symbols, the seam allowances (why? why?), the ostensibly "standard" fit, the undecipherable tables of measurements, the unknown (until you've turned them into a garment) ease...... oh wait, that's my inner whiner bleating.
With a little bit of the right kind of information, though, commercial patterns are a very good starting point for garment-making. If you are lucky, you might have found a manufacturer or pattern company whose patterns fit you better than most with hardly any adjustment. If you have an especially unusual body shape, you might have given up on commercial patterns altogether. However, if you're like most of us, you've probably got a collection of working patterns from different sources, some of which need more work than others to fit. Want some help?
In this comprehensive deconstruction of commercial patterns, Jen will take you through:
- determining which pattern size to use
- determining and adjusting the amount of ease
- working with seam allowances
- adjusting different kinds of patterns - dresses, skirts, sleeves
- adjusting different elements of the pattern design - necklines, hems, shoulder slopes and design fullness (like gathers).
Now that you have a ready and wearable sloper / bodice block, you can adapt it to make any style of dresses, blouses and skirts, limited only by your imagination. If that task seems daunting to you, then use it to make commercial patterns fit your child as though you've drafted them yourself. Hey you took the time and effort to create a good-fit sloper, so you may as well make the MOST of it.
For the sake of clarity, all slopers are shown in RED in this post.
The first thing to do after purchasing your commercial pattern is to look at the back of the envelope or packet and study the sizing given there.
- If the pattern is for a dress in 2 pieces (ie. a bodice attached to a skirt) where the bodice stops at the chest level, then choose the size that is closest to the CHEST measurement of your child (not the sloper). This could be a little bit more or a little bit less than your child's actual chest measurement.
- If the bodice stops at waist level, then choose the size that closest to the WAIST measurement of your child.
For this post, I am going to choose size 2 by way of example.Next, look for the FINISHED measurements given for that size and note the differences between finished measurements and age-given measurements. In the example below, only the chest measurement will be used for horizontal fit.
finished measurement - sized measurement = pattern ease (style and/or fit)Write these numbers down somewhere on the back of the envelope so you will always have it on hand. The difference is the amount of ease built into the pattern. If you have included ease (e.g. 0.5") into your sloper (chest, waist, hip), take that much away from the ease calculated for the pattern.
22 - 21 = 1
22 - 21 = 1
pattern ease - ease included in your sloper
= amount of ease to add back into the pattern after adjusting
1 - 0.5 = 0.5
= amount of ease to add back into the pattern after adjusting
1 - 0.5 = 0.5
You must also know how much seam allowance (SA) has been added and built into the pattern. This amount is sometimes given on the back of the pattern envelope. If not, you will have to measure the pattern itself across the chest or waist and get the difference between what you've measured and the finished measurement. The difference is the seam allowance built into the pattern.
Seam allowance = 5/8" (22 5/8" - 22")To simplify matters for you later, draw in the sewing line based on the SA determined. Sometimes the sewing line is clearly marked out on the commercial pattern. In this case, there is no need to figure out the seam allowance in the pattern.
Adjusting the Commercial Pattern
Take the commercial pattern out of the envelope and spread out all the sheets available. Look for the required size (as determined previously) and put a mark somewhere on that size pattern so you don't make a mistake later and work with the wrong one. Do this for all the required pieces.
Next, look for the printed markings where the chest, waist, hip ought to be. Depending on the design of the garment, these markings may not always be marked. A-line, tent-type dresses tend not to have these markings. I will come back to that later and explain how to adjust accordingly.
Determine the seam allowance in the commercial pattern as explained above.
I define a dress as a garment that is made up from 2 pieces - the upper torso and the skirt portion. So the following instructions work for a separate blouse and skirt pattern as well.
1 Upper torso -
Place your sloper on the pattern matching the chest line, or waist line (this is dependent on the design of the dress) of the sloper and the pattern. Trace out your sloper onto the pattern itself. Take the sloper away after tracing. From the traced chest line (or waist line if you've used that) add in the amount of ease given for the chest (or waist) minus the ease from your own sloper (0.5" in the worked example above) and mark this with a point on the pattern. I will call this point (A) for reference later. To adjust the depth of scye (armhole height), on the commercial pattern, draw a line from the base of the armscye perpendicular to the centre back line. Then adjust the pattern in the following way:
To lengthen: cut the pattern along this line. Place a piece of paper under the cut. Spread the upper portion of the cut pattern until it matches the base of the armscye of the sloper. You will need to place your sloper over the pattern again to match this point. Once you are satisfied, tape the cut pieces onto the paper underneath. Redraw the scye smoothly. To shorten: crease the pattern along the drawn line and make a pleat according to the amount to decrease. Place the sloper over to check. Tape the pleat down and redraw the scye smoothly. Now that the depth of scye has been adjusted, draw a line to connect point A to the base of the redrawn armscye. You are done with the upper torso.
2 Skirt -
the skirt portion of the skirt will start from either the chest or waist line (design dependent). You would already have adjusted the pattern at the upper torso according to either one, as explained previously. Adjust the waist (chest) of the skirt like so: A-line / gathered / pleated skirt - on the upper torso piece, measure from point A to the original chest/waist point of the pattern. Let this amount be X.
You must either add to or subtract X from the chest/waist line of the skirt piece. You
- add if you had to increase the chest/waist line in the upper torso or
- subtract if you had to decrease the chest/waist line in the upper torso.
You are done with the skirt portion.
3 Sleeve -
because sleeves can vary in style, I will only explain how to adjust the depth of scye of the sleeve, which in most cases is sufficient to ensure a nice-fitting sleeve. On the commercial pattern, draw a line to join the 2 points marking the base of the armscye.
Place your sleeve sloper over the sleeve pattern, matching at the centre line at the top of the cap. Please make sure also that they are aligned vertically as well.
If your sloper sleeve has a longer depth of scye than the pattern sleeve, remove the sloper pattern. Then slash and spread the pattern sleeve until the depth of scye is the same as that on the sloper.
You are basically doing the same thing as if you were lengthening for the depth of scye at the upper torso (explained above). Tape down the slashed pattern and redraw the cap at the underarm (red lines). If the sloper sleeve has a shorter depth of scye than the pattern sleeve, mark on the pattern paper the 2 points of your sloper base of scye. Remove your sloper. Draw a line to join the 2 marked points.
Then crease and fold over along the green line to shorten the depth of scye until it matches the points marked previously.
Redraw the side seams.
You are done with the sleeve.
4 Sheaths -
I define a sheath as a one-piece dress. To adjust a sheath pattern, do as you would for the upper torso of a two-piece dress. However, if it is an A-line dress, there very likely WILL NOT be any marked chest or waist lines. In this case, adjust the pattern for depth of scye only (same method as for adjusting depth of scye on upper torso, described above).
Other Areas to Consider
1 Shoulder slope - some shoulders are slopier or blockier than the 'standard' (whatever that is). Place your sloper over the pattern, matching at the shoulder points*. Make sure the pattern is aligned vertically as well. If there is a significant difference between the slope on your sloper and that of the commercial pattern, then trace your shoulder slope onto the pattern paper. Smooth out the neckline if necessary. If the difference is negligible, then don't bother adjusting, really. *remember that on a sleeveless pattern, the shoulder point should sit higher on the shoulder line (see here for more explanation). For a sleeveless pattern, mark a point about 3/8" (1 cm) in from the original point. Use this new point as the reference when adjusting the shoulder slope. 2 Neckline - your sloper might have a wider / lower neckline than the one on the pattern. To adjust the neckline, place your sloper onto the pattern , matching along the centre line and the shoulder point as much as possible. Trace the sloper neckline onto the pattern paper. Redraw the pattern neckline to match the shoulder point at the base of the neck. The neck depth should be adjusted only if the pattern has a jewel (round) neckline like that on your sloper. Keep to your own neck depth.
3 Sheath / Skirt length - this is a no brainer, really. Just lengthen or shorten at the hem.
Design Elements to Consider
If there are gathers, pleating, smocking on the upper torso, I can only advise you to adjust for fit at the depth of scye and then make a mock up to see where else you have to alter. In some cases, finished measurements are given on the envelope back so you have a reference to work with. If so, then adjust chest/waist line of the upper torso by the amount that differs from your child's actual chest/waist measurement and that given for the chosen size. This method will also work for a skirt pattern with pleats/gathers/smocking at the waist.
All the adjustments taken above are required for both Front and Back pieces. Adjustments are not necessary for embellishments like sashes, lace trims, binding, because you will only need to increase the amount required by a little bit. Fabric yardage can remain the same as well because the pattern writers tend to state more than is usually required.
I hope this provides you with the verve to go out and alter all the commercial patterns in your collection. If you are anything like me, quite a few were really ill-advised, I bet!
LiEr back again: Told you she was good! Yes, there is hope for all the children of the world who are between sizes, taller than average, huskier than average - which is most of them. Even I want to go out and buy a pattern just to play around with my slopers! The good news about children's patterns is that they are easy to alter and customize to your small person's unique dimensions.
What about adults?
The principles are the same - you match the reference lines of your sloper to those of the pattern. Often, as Jen says, this means you pick the most defining reference line for that kind of garment (e.g. the bust), and adjust the others on the pattern (e.g. the waist, the shoulder point, the hip etc) to match your sloper. There are darts in an adult female pattern, too, so you'll be adjusting those as well. And then, make a muslin and try it out!
Next up: A wrap-up, a summary and a giveaway!