I Hate French Darts

Just so you know, it looks even worse on me.

In the spirit of full disclosure, I wanted to show you that not all my garments are nice. Some are positively hideous. Of course you are distracted by the nice brocade fabric and the exotic qipao design. Don't. Pay attention to the darts, people. And the armscyes, which are beyond sad. 

I am going to brutally analyze this for you, so we can all learn how not to fit garments. The neck and collar are nice. The collar, incidentally, is a muslin. So the fabric is not the actual fabric. I was experimenting with the shape (because, remember, I draft by feel, not formula) and the kind of interfacing, and where to apply it. Verdict: the collar passes. 

The shoulders also pass. Marginally. There is something wrong with the shoulder point. Or, rather, the shoulder point is correct but for this qipao blouse, it needs to be cut in a little bit. And the armscyes... mrpppphhht... well, let's change the subject. Incidentally, I don't do cap sleeves, even though those are the traditional sleeves for qipaos. My arms are not traditional, skinny Asian arms. I swim and eat chocolate, so let's just say that set-in short sleeves are better.

Do you see the pins near the dart points? I put them there because I thought that putting the points farther away from the bust apex might help. As if. On further meditation, I think I'm going to move that French dart altogether. 

Quick drafting infobyte: French darts are best for slender people who are less well-endowed. People with larger cup sizes do better with darts that open into the armscye, where gaping tends to be an issue. I almost always use armscye darts (and princess seams that originate in the armscye) in my garments. However, this qipao style has a wrap front that doesn't easily accommodate armsyce darts. Hence the French darts. Which don't work for me. But which I am determined to make work in this garment. 

The back now. That passes, too. This thing will have a separating size zipper, incidentally. Which I'm not going to install until the wretched darts are sorted out. Moving on... ah, the armscye. Again, let us berate the armscye. It is too low and overall too large. Nnnnggggghhhhrrrrrr. Seriously, when I first tried this on, it felt as if I were wearing pyjamas. 

I will say that I am content to stop here for now. This is the first fitting- disastrous, naturally. But not unusual, as far as first fittings go, especially when one is already expecting bizarre outcomes from non-preferred dart choices. The plan was really to make this first draft to test the collar (which passed, as said earlier) and to visualize the color scheme enough to start making coordinating frog button closures while we're on the road to visit family for Thanksgiving.

Incidentally, with what am I going to pair this blouse if when it does fit properly? Indigo jeans, of course. And metallic sandals. And a small clutch. And sunglasses. And pearl earrings. How else does an Asian person wear traditional ethnic pieces without looking like she belongs in a bygone era? 

Updated 2016 to add:

1 Here is a much later post on darts, including French darts. It may help with visualizing its shaping effect, particularly compared to bust darts, underbust/waist darts, shoulder darts and combinations thereof.

2 I have since finished this qipao blouse and am thrilled to say that it looks quite different (in a good way). Here is the post with the happy ending, and here is the post in which I showed how we got there.

Panel Skirt: Extracting A Skirt Block And Shaping With Seams

Today we are deconstructing the shaped panel skirt!

Which looks like this (more photos here):

Let me first manage your expectations by saying that 

• there will be no skirt template to download, for free or otherwise
• this is not a tutorial on how to draft a skirt block from your measurements. For that, try this tutorial (steps 13-18) and this tutorial (steps 13-26). 
• if you've never sewn a tailored skirt before, you probably still won't know how to, at the end of this tutorial.

That's the bad news. 

The good news is that this post is full of random drafting commentary that you will probably not find presented in a similar way in drafting books. There's a lot to cover today, so let's organize everything into two stages:

(A) Commentary on Skirt Blocks vs. Skirt Patterns
(B) Skirt Shaping Using Seams

And then dive right into

(A) Commentary on Skirt Blocks vs. Skirt Patterns 

DARTS
Let's start at the beginning - here is a classic skirt pattern. Usually, when I am drafting a new skirt design, I work directly from my original skirt block. Today, I am doing something insane and working with a skirt pattern instead of a skirt block. Reason: most of you will not have a skirt block as your starting point, because you are accustomed to working with commercial patterns. So I'm going to start where you would. 

First thing: As pointed out, these are not skirt blocks/slopers because they have design ease. Let me point out what that means. These are the front and back patterns of an A-line skirt. Their side seams slant outwards. Now see those dashed red lines? Those would have been the side seams for a skirt block, which would have fallen vertically from the hip (widest part of this particular set of lower body measurements). 

Second thing: A front skirt block would have a waist dart. Why? Because skirt blocks are the lower halves of full body blocks/slopers. Observe: this is my basic full body block/sloper below. The lower part against the yellow background is the skirt block/sloper. Notice that the side of the skirt block falls vertically from the hip to the hem (typical of blocks, as we said in the earlier para) and doesn't slant out (more typical of patterns). Note also that there is practically no difference between my waist and hip dimension, which makes my skirt block sorta rectangular. Not everybody's skirt block is rectangular. Mine is, simply because my waist isn't the hourglass-neck thing it was before I had kids.

Third thing: Where do you put that waist dart (see blue arrow with question mark two photos above)? We will come back to that later.

Let's return to the Front skirt pattern now.

Mine has no waist dart. Whether you choose (yes, you can choose, because it is your pattern) to have a waist dart in your front skirt pattern is dependent on many things, including (but not limited to)

• the shape of your abdomen/waist/hip area. If you are more curvy or if you have a more pronounced abdomen, the difference between your front waist, front abdomen and front hip measurements might be significant. A waist dart would be useful in reducing the excess ease at the waist in addition to some side seam shaping. See this earlier post for more discussion.
• the design of the skirt. Some skirts (e.g. pencil skirts) are more fitted to the body, and the front waist dart helps to achieve this.

Summary: no waist dart for LiEr's particular body because LiEr's body only requires very gentle waist shaping that is adequately achieved by a slant in the side seam. And the side seam slants in by exactly the same amount as the width of the waist dart.

IF your pattern has a waist dart, where do you put it? 

I've been asked this question before, and many people say, "Oh, situate the two waist darts about (arbitrary number e.g. 8") apart" Um, no. There are NO arbitrary numbers in drafting. Every measurement translates to something on the human body. If you understand this, you will always know how to draft and what to draft and where to draft it.

But back to our question: how far apart to put these darts. There are two considerations:

1   Be continuous with the full-body sloper.

Do you see? The waist dart of the skirt block is the lower half of the full waist dart that originates at the bust apex. This means that your waist dart separation is the same as the apex-to-apex distance of your bust. Common sense- if that waist dart separation it works for entire dresses, it will work for just the lower half of an entire dress aka a skirt.

This principle still holds if you've got double waist darts. They're just a single big dart split into a pair of smaller darts, with each pair separated from the other pair by the bust apex-to-apex distance.

2   The shape of your abdomen.
In some cases, the shape and/or size of your abdomen supersedes the bust apex thingy. For (overdramatic) example, if you are pregnant. Here, you might choose (yes, choose) to move the waist darts of your front skirt block to a separation that better accommodates the full shape of your belly.


On to the back full-body block/sloper now. Again, the lower portion against the yellow background is the back skirt block/sloper.

Now look at the back skirt pattern -this time, we're keeping that waist dart.

But you just said... nnngggh!!! Why? Why? Why?

Relax, people. This is because of that curve of the hollow of your back, that slants out to the top of the buttocks. Everyone's back is like this - slender people, well-endowed people, pregnant people etc. So there are are always waist darts in the back pattern of a tailored skirt, regardless of what the front pattern of your skirt looks like. 

WAISTLINES

One more thing to do - remember that we got the skirt block from the bottom half of the full-body block by slicing off the top half at the waist. Which means that the waistline of the skirt is a straight line. And nobody's waist is a straight line from hip to hip - it's a gentle curve, with the hips a little higher than the abdomen. So we'll curve the top edge of the skirt block like so, then cut off and discard the shaded portion. And we'll do the same thing for the front pattern of the skirt (no photos - too lazy).

Q: I've seen skirt drafting tutorials in which this curve is drawn BUT by raising the hip point instead of slicing off the center waist. Is this the same thing?
A: In principle, yes. In that case, you'd raise the waistline a teeny bit while in this case, you've lowered the waistline a teeny bit. I measure my waist-to-hip distance (which I call the hip level) along the side seam, and I don't like to change that by raising the hip point, so I slice off the waist towards the center front instead. The important thing, friends, is that your waistline is a curve, okay? Where you curve it is not a huge deal. You can always compensate with extra (or fewer) inches in your waistband. 

I want to show you a skirt I made some years back, whose back waistline I did not curve sufficiently - see that fold in the center back (purple arrow)? Think of that bit of waistline you need to slice off as a horizontal dart that would've taken care of that fold. I believe that in some drafting circles, this might be gleefully diagnosed as a sway back adjustment but really, it's not. It's just mathematics: a ruler-straight waistline is never a good fit for a curved hip. 

Compare this to today's skirt whose waistline was sufficiently curved:

WAISTBANDS

Depending on where on your body you've drafted the skirt's final waistline to sit, you might have planned for a waistband (or not). I did and I drafted my skirt, with its waistband, to sit below my natural waistline. 

Regardless of where your skirt (and its waistband) sits on your waist/hip region, the waistband, like the waistline of your skirt, MUST be curved. Never cut your waistband as a rectangle. Your waist/hip is not a cylinder that can be wrapped with a band like a dog collar. The waistband is curved in about the same arc as the waistline. I have no formula for you because I always draft mine by feel.  

In fact, where possible, lay and cut the waistband (and its lining) on the bias of your fabric - it sits better on your waist and hip than if cut on the grain. Unless your fabric already has a lot of give or stretch or movement, in which case a bias-cut waistband would be all fluidy and spready in all the wrong ways. Then cut it on the grain. 

Let's look at the differences between front and back again.

Notice that the back waistband looks narrower (purple arrow) than the width of the skirt's waistline, but only because of the dart. However, that purple arrow is exactly the sum of the two blue arrows, so that after you've sewn the waist dart closed, the two will match. And no, in case you were wondering, we do not extend the dart into the waistband. Waistbands don't have darts. 

In the front pattern, which has no waist dart, the waistband's width matches the skirt's waistline. 

Here are a couple of in-progress shots to show you the curve of the waistline and waistband, before the lining got installed to cover everything up - 

front

and back.

All done! The skirt pattern, now an adjusted, independent spin-off from the full-body block is ready for adaptation! Did that feel like we spent too much time just getting to the starting line? Friends, if you want your skirt to rock its design, it needs to fit you well. Otherwise, it's going to look like you've tried to fancy up something that belonged on another person's body anyway. So yes, it's worth taking the time to get the fit just right in the waist and hip. 

And now, on to the second stage, which is the actual fun part!

(B) Skirt Shaping Using Seams

The most functional reason for a panel skirt design is shaping i.e. it isn't just for aesthetics or for patchwork or using up fabric scraps. Unless it is purely for aesthetic reasons (like princess seams in toddler outfits) every seam -or dart- exists to shape the fabric around a contour of the body. Many skirts have just two side seams and the curve of your hips is often shaped by these two side seams. Sometimes a skirt also has a center back (or front) seam, into which a zipper is inserted, and more shaping can be done there as well. Panel skirts have multiple seams which, if desired, can be used to change the entire shape of the skirt quite dramatically.

Our panel skirt today has 7 seams - two side seams, one back center seam, two front panel seams and two back panel seams. To make the back panel seams, we simply extend the center line of the dart and cut apart the pieces. Discard the triangular dart piece. You will sew that dart closed when you connect those panels again along that panel seam. This is exactly the same principle behind princess seams.

From the waist to the hip, we will leave the skirt pattern untouched; it already fits your waist and hips well. From the hip to the hem is where the magic happens. Left as is, you'll simply get a pencil skirt (if you'd used a skirt block with no design ease) or an Aline skirt like our earlier pattern. 

But we're going to do some shaping today. Here is one variation: taper in the panel seam and insert a godet

to get a skirt with a dramatic flare over the knees.

Or, for a more subtle flare, just curve the seams themselves. Notice that you don't flare the center back seam, unless you want it to really hug your behind (and who does?). 

Here are two outcomes: 

1. the brown layer is what happens if you use your A-line pattern and just introduce a little flare from about mid-thigh (red arrows) towards the hem. The skirt you'd get will be just that - flared from that point and overall shapeless because of the ease already in a trapezoidal A-line pattern. Not good.
2. the white layer is what happens if you taper in the seams (green dashed lines for the panel seam and red dashed line for the side seam) before flaring to just the same width as the A-line's hem. You'd get a subtle curve that's much more becoming.

We'll do the same with the front skirt pattern. However, the absence of a waist dart as a natural separation point requires us to choose where we'd like the panel seam to be. So pick a position (purple arrow) and angle it so it tapers slightly, slice it apart

and curve those seams. Again, we don't mess with the center front line because it's on the fold ; even if it weren't, you wouldn't want that seam hugging you any closer than it already does. 

It's funny what just that little flare - plus careful management of excess ease from the A-line pattern - does to the profile of this skirt. 

You can see the effect of this shaping more dramatically in the back panel seam (the blue line down the back of the skirt). Remember that this panel seam originated from the waist dart (which shapes the region between waist and hip) 

and then curves in below the hip before flaring out slightly (which shapes the region under the buttocks). 

Some of you have asked questions about all kinds of related issues: fabrics to use, lining, construction, and so on. I think I'll leave that to another post.

Now, go forth and sew panels, friends! And have a wonderful Thanksgiving!

Wool Skirt #3

So, I've finally finished the third skirt in my Wool Skirt Trilogy, the other two of which are here and here, with pictures of one of them actually worn here. These two photos were taken after I'd worn this skirt all morning, sitting scrunched up in church and the car, hence the multitude of creases. 

At the end of that last post, I asked if anyone would be interested in another of my interminable drafting lessons, this time on skirt blocks and panels and seam shaping and darts. And some of you politely said "yeah, okay" so as not to hurt my feelings (awwww...) and other people instead talked about my boots (which I didn't sew, so I can't offer you a tutorial for that). I took you all seriously and -look!

Another pair of boots, yes, 

but also the panel skirt you asked for.

Do you see the slight flare in the side seams?

And in the front and back

(which is easier to see here when Fleur is wearing the skirt because she isn't twisting like a pretzel to take photos of herself in the mirror)?

Here's a twisty shot to show more shaping - this time in that blue back panel seam. Shaping emphasizes the subtle flare of the hem; if the entire skirt is baggy, nobody will notice any flare anywhere unless it is very pronounced. Which defeats the purpose of shaping! 

There's so much I want to share with you about getting your skirts to sit just right on your behind

and drape that hollow at the small of your back, which is possibly your most flattering skirt area, regardless of the shape of your other regions.

I wanted to get some photos before the snow came so I dragged out our only full-length mirror in the house and propped it up on our deck on probably the coldest day we've had here in a while. Sorry about the funny angles and whatnot - it's really hard to take photos of oneself in a mirror, especially when one is trying to capture fitting issues rather than just fashion shots. I get the husband to do those instead- like the first two photos of this post - just so you can see my face. 

I love this skirt. People say A-line skirts are the most universally flattering design, but I beg to differ. Try the slightly-flared panel skirt, People: drapes the hip and flares just the very tinest below the thigh, so there are curves in all the places you want. You might never wear a shapeless A-line again (that coming from the person whose most-recently-sewn other 2 wool skirts were shapeless A-lines).

I'll deconstruct it for you in the next post.; this one is already so photo-heavy. I'll just finish by showing you random angled shots of Fleur modeling the skirt. 

Back view - concealed zipper and those two back panel seams, into which the waist darts are integrated. Nothing out of the ordinary.

Side view showing the slight flare of the hem. Note that the side seams of properly-drafted (and fitted) skirts must fall vertically and lie exactly between the front and back halves of the body. This can only happen if the waist and hip measurements are measured separately for the front and back of the body. If any skirt-block-drafting tutorial or book teaches you to measure the waist and hip circumferences and divide those by two and then add random numbers (e.g. 1/2") to them to draft the front and back patterns, um... it might be best to get a second opinion. 

Check back tomorrow for the deconstruction drafting tutorial!